The burgeoning field of Muslim literature, and Muslim fiction, in particular, is an exciting development for the English-speaking Muslim community. However, it is necessary for Muslim writers to seriously consider the quality of their work.
Once upon a time, it was extremely difficult for English-speaking Muslims to find good books – fiction and non-fiction alike – that was catered to their demographic. Fiction, in particular, was scarce, for both young children as well as teens. Much of it was poorly written, filled with atrocious spelling and grammar, and stilted from beginning to end.
It was not an enjoyable reading experience.
Alhamdulillah, the Muslim literary scene has evolved significantly since the early 90s. Today, we have award-winning Muslim authors such as Na’ima B. Robert, whose excellent YA novels have been published through mainstream publishers and numerous emerging writers whose debut novels are wonderful contributions to the existing body of modern Muslim literature.
Muslim publishers such as Kube Publishing, Daybreak Press, and Ruqaya’s Bookshelf are taking the lead in producing and distributing stories by and for Muslims. In addition, the publishing company Simon and Schuster launched an entire division dedicated to books by Muslim writers. Hena Khan, S. K. Ali, Karuna Riazi, and Mark Gonzales are just some of the authors whose Muslim-centered stories have been published through Salaam Reads and made accessible to schools, libraries, and the general public. The We Need Diverse Books movement has also played a significant role in promoting multicultural and marginalized voices within mainstream publishing, and the results are wonderful.