Twelve people were massacred in Paris on Wednesday merely for expressing their opinion through art. Many might not like the art that prompted the carnage. They may consider it obscene and even an attack on their faith. But in the 21st, 15th or 57th century – whatever your religion, calendar, or country – there is no excuse or justification for responding to art with murder.
But there is a clear and frightening explanation for this violence, one that demands not merely outrage at the act itself, but at the system that has made it both predictable and inevitable. The problem is that this system is hundreds of years old, implicates most everyone, and has only become more entrenched in the last several decades as the world has become ever more globalised.
Where does the story begin? Quite simply with colonialism. It’s no mere coincidence that at least two of the Charlie Hebdo attackers are reportedly of Algerian descent and the third from Senegal. France’s 1830 invasion of Algeria began a 130-year odyssey of murder, expropriation, racism, exploitation and misrule that only ended after a vicious anti-colonial struggle costing well over one million Algerian lives.